Song of the Day
Last Flowers - Radiohead.
Tuesday, September 14, 2010
عرض وطلب
وتستمر فى الانكماش والتقلص
فتبقى متفرج عن بعد، فاشل أولى تنفس
وتستسلم لألم المعدة الناتج عن الفراق
ولكن نعلم جميعا أن اختلاف الاتجاهات
يفسد كل ذكريات النبيذ والويسكى وأفيهات العشرين
كما نعلم أيضا أن مع انتهاء تاريخ صلاحية الألفة
يأتى تجار آخرين لفترينة أمك
Saturday, August 21, 2010
Change is a beautiful stranger.
It's like, for the first time in 24 long years,
There is finally something to look forward to.
Saturday, July 17, 2010
بلوك بارتى
لم أذهب الى أى منهم.. أو أى من جيرانهم..
لثلاث ليالى وأيام.. متصلين بخيط من الذكريات..
سمكه لا يتعدى شعيراتى الحاضنة لبالوعة البانيو..
عشر أشخاص.. يعرفون اسمى ثلاثى.. ورباعى..
ولكنى لا أمضى معهم أكثر عمقا من ذلك..
لا أستمتع بالنبيذ مع من يعرفوننى جيدا..
Saturday, July 3, 2010
بيضتين من مصر
Sunday, June 27, 2010
Sunday, April 25, 2010
Routine Retirement of a Replicant.



Monday, April 12, 2010
علقة الجنينة
Killing the inside out
All my organs are electrified. I look at them in any mirror and they’re just hung there, rich of electric current webs– that which used to be my blood veins. I particularly have a beautifully lit liver, with a mesh of optic-laser-like wrap. How lit they are making a silhouette of a finely tuned skeleton.
Purgatory is the finest shape of Christianity
The only man who can make a woman happy is unhappy. He is going back and forth through his mind. He is wretched to the extent that he asks me for advice. Like a hermit, he lives in a bleak desert with dark haired Filipino nurses, haunted skyscrapers and a father whose only deed is the half an hour he took to be his father. But even there, as poetic and unreal he is, he manages to weave details of life out of those ghosts.
Hated by the Sun
There is a garden. By day, it has all sorts of plants I don’t know the Latin names for. Even though it’s hated by the sun, it still manages to look beautiful from afar in the light. The lights suck you in. You know there are four militia standing on the top of the four trees, found at the four corners of the round garden. Thirty two naked men are blindfolded, running around the garden as the militia whip the skin away from their flesh. The garden, unlike the Sun, is Sisyphean; the light seems to get weary and fade away, yet the whipping continues…
398 slaps received
Not everything that happens needs time. Time makes it easy to prove something existed or happened. Elapsed is an art and history is the masterpiece. But every time I am pulled into this pitch black room and I am slapped by hands that can’t be that powerful and made of human material at the same time, I know time is a luxury for those who can keep track of it. The slaps are followed with an angry monotonic gush asking me to man up. I ask how. I scream how. I burst in tears. I burst in blood. All interrupted by world class slapping asking me to man up. The organs are never lit in this room.
Render unto Caesar what is Caesar’s
I lived my life staring at a stage of human acquaintances trying to show off how much they achieved, how much money they made, how needed they are, how the world will stop if they ceased to exist. Everyone seemed to be motivated by a goal, seemed to achieve it, and seemed to be satisfied too – for why else would they show off what doesn’t bring satisfaction? As I faked cigarette breaks outdoors, I made imaginary friends. One day, I read “I met a genius” by Charles Bukowski carved on the hidden part of the wood of the stage door. The next day I met him, younger than I am, faking cigarette breaks and making imaginary friends. He told me it doesn’t have to be this way. I never kissed him but I walked away from the stage building as I felt him, behind my back, lighting a cigarette and reading the poem carved on the door.
Saturday, March 20, 2010
Google "define:" fail.
The film I will have to write will have to be void of any sex. I can’t currently imagine how I – or anyone can write a long feature script that won’t strike you with the dumb idea of dude-there-is-sex-going-on-but-we-won’t-show-you-nah-nah-na-na but that’s another story. Yet that condition is feasible.. shameful and lame, yes.. but doable. The feature will also have to serve a “purpose”, I am not quite clear what’s the definition of this either but I trust myself on faking it when I have to. And finally it will have to be constructive in addressing that purpose.
Constructive... How will I ever be able to fake that?
I didn’t go.
Wednesday, March 10, 2010
Puttanesca.
Friday, March 5, 2010
Of sweat pores, Samia Roushdy and Hamid Sinno.
It was always summer restricted, even though winter is the season when girls shop for love affairs. That was the only season I survived staying up late in that first-floor balcony on a very quiet street. Across the narrow street was another building, full of Shoubra residents. Some were noisy and veiled, some were old and retired and read newspapers in balconies during mornings – let it be winter or summer. I preferred all the noisy and veiled people in the neighborhood; they smothered us with food with and without occasions. On the last floor however, lived the family of Samia Roushdy, with the whole sons and grandsons formula.
There wasn’t much to do in the summer nights of the early nineties. If you were noisy and veiled, old and retired or a Samia Roushdy grandson, you spent your time guessing which pores will your next humid sweat particles come out from. Nobody used air conditioners in Shoubra. Not in the early nineties. Some do now, but the bastard fairies are working on killing them quietly in their sleep and giving back their place of residence to those worthy of it.
I usually waited till my grandmother found her balancing point in her sleep, and my aunt found hers on the sofa in front of a Mervat Amin movie on TV in a dark hall with a couple of flies making love on the light of the screen. I would then sit in the balcony, pretending to do nothing – and yes, that is doable, but I was really staring upwards to the third floor at the window where the Samia Roushdy grandson showed up sometimes. On the very few occasions he lit the room, he was never by the window, but probably doing something inside the room – a purpose he originally needed the working neon lamps to serve, with more than two flies gathering up and making love on the lit-lamps occasion. Thus, I never saw his face on the times he decided to quench my thirst and show up by the window. All I ever had, was a scene of the upper half of a man, lit by faint poor street lamps, resting one elbow on the window, smoking a cigarette with the other arm, topless and guessing which pores will his humid sweat particles come out of next. As he blew out smoke that eventually fell upon my hair, his radio blew endless tunes of Alphaville, Whitesnake and Supertramp, which were carved in my head.
Winter would come. His closed window would leave me lonely and my pores would leave me bored for no sweat particles would come out at this time of year. I would only depend on Khaled Habib and Nevine Shoukry and the Classic Rock show coming out of poor Casio radio speakers, knowing this is what the Samia Roushdy grandson is listening to behind that bleak closed wooden window.
Years passed and the bastard fairies couldn’t hide me for long and I was plucked out of Shoubra. I went to a lot of other places, which forcibly had air conditioners. I got introduced to people who were not noisy and were not veiled but who smothered themselves in Koky chicken nuggets and McDonald’s home delivery. And as time passed by, I blended in and eventually forgot the Classic rock vows we took and the two-floors apart love we made.
But here I am, in a time that can no longer be called the nineties, sitting in a room that had no air-conditioner, with Hamid Sinno’s voice pouring out of speakers that were neither poor nor Casio, and sweat pouring out of pores even though it’s a winter night. He would open his mouth to tell me how beautiful I am, but I ain’t listening. He would ask me if I intend to say anything witty from my “How about..” series, but I sit there doing nothing – not pretending. I would actually see his face in neon light, hand-memorize it in the dark and see it again in early morning light. I don’t seem to listen to any flies making love now. However, this is not Shoubra and those are not my rules, so I just fine tune and restrict the love I make to the amount he is willing to take – unlike what I’ve done with the Samia Roushdy grandson.

Thursday, December 10, 2009
Don't Look.
Tuesday, December 8, 2009
Hung up.
Saturday, November 28, 2009
bely bely bely.mp3
Friday, November 27, 2009
Death is the road to awe.
Wednesday, November 11, 2009
In a heartbeat.
Sunday, October 18, 2009
Severin, Severin.
How about you call me Venus as I dress in animal fur?
صحيت فى ميكروباص... شاكرة جدا، حطيت سماعات الام بى ثرى – اللى كنت اصلا استهلكت اخر بطاريته بمنتهى الشهوة فى الليلة السابقة – فى ودانى، عشان اتفادى اى استظراف أو استلطاف متوقع تجاه أى شئ يرتدى حمالة صدر فى ميكروباص – بغض النظر اذا كان يحتاجه أم لا. يفرق بينى وما بين السواق رجل بيقول على مراته "الجماعة" ولابس اخضر فج... ولكن السواق كسب نقط احترام، مش بس عشان اخد غرزة ما بين تلات تريللات من غير لما يشد اهتمامى... ولكن ايضا، عشان ضيع كل رصيده على السواقين اللى وراه بيشرحلهم ظروف الرادارات والكمائن...
وعادى يعنى... يستمر سواق الميكروباص فى أخدان الغرز ما بين التريللات ويتغاضى عن الثلج اللى بيزحلق العربية تحتيه... فهو على رأى المنادى... برنس الطريق... فيقرر الشاب الفج فى أنه يخدش الكادر الكوول للسواق ويسمح أن موبايله يرن برنة صراخ واحدة بتولد والموضوع بيقلب أن هى بتضحك بهيستيريا... بديهى جدا... كلنا اتسرعنا... وبديهى جدا سرق الشاب الفج الكادر من برنس الطريق... فزى اى راجل لابس أخضر... هو عاشق تافه للانتباه...
كنهاية طبيعية لأى اتنين مصريين فى الموقف ده... انتهى الأمر ان الشاب اللى عنده "جماعة" بيسمع السواق نكت عن البلديات من الموبايل... وكل الركاب... كأى ركاب مصريين طبيعيين... سمعوا كل النكت للأخر وبلعوا البضنة بمنتهى الشهوة...
وعلى اخر الطريق كدة... على الغرزة الأربعتاشر... الراجل اللى ورايا لقيته بيقول "يعنى انت ينفع الطريق كله كدة تشغل نكت عن البلديات؟" ننظر احنا التلاتة... أنا ، ناسية تماما انى المفروض باسمع السماعات اللى فى ودنى، الشاب الأخضر فى بداية احراجه ، وسواق الميكروباص فى المراية الأمامية.
يجلس خلفنا راجل وامرأته وابنته... صعايدة... وصعايدة يعنى صعايدة... جبهتهم واسعة ، تكاد تكون كارتونية... وعينيهم واسعة... وجلدهم قمحى بيلمع من اللون اللى مينفعش تبصله باستمرار... فيرد الشاب الأخضر فى منتهى السسّينة... "انا مالى يا عم ده هو اللى بيقول مش أنا..."
تنظر المرأة الصعيدية أمامها ، وكأن هذا الصوت يصدر من حشرة خضرا... لا تستاهل رحلة الى عبوة الفليت... بل فقط غمزها فى قعر أقرب قبقاب... برضه من غير أى انتباه من عينيها... فتقول...
"هو فى رچالة غير فى الصعيد؟ هو فى مرچلة برة الصعيد؟"
وكأى فتاة قاهرية تافهة ، من أصول صعيدية لا أعلم عنها الكثير... توقعت أن ينظر سواق الميكروباص والحشرة الخضراء الى زوجها ويوبخوه عن ما صدر عن "جماعته" أو يطلبوا منه أنه يلمها... ولكنهم غاصوا فى صمت... وتبللت جبهتهم ، الغير بواسعة كثيرا... ولم يجدوا الجرأة أن ينظروا اليها فى عينيها...
كسر سواق الميكروباص ذلك الصمت بمنتهى التردد والتهتهة ليقول "أيوة يا... ستى... أنا أصلا... عندى... أصل صعيدى"... فأنهى أقوى مشهد سادى رأيته فى حياتى.
Friday, October 9, 2009
iPray.
Wednesday, October 7, 2009
Sea of Beads.
For some reason I’ve been lying in a quick sand of beads for as far as I can remember. It’s been there ever since I was born. I choke on beads, eat beads, shit beads, and breathe beads. I have never had a good sleep… never with eyes closed, back stretched and legs in sloth… beads can’t make beds, can’t make pillows either. I took it for long enough now. Yet something has changed, since early last year. Somewhere along my skin where my hands cannot reach, a hole was created and the beads flood inside of my body, making me heavier, weaker, not fitter… not happier… like a pig stuck in a cage, sometimes on antibiotics. And no amount of alcohol can help me believe the lie I’ve been enforcing upon myself… that I am as strong and I am doing a good job grabbing life and people by the balls, as I always did before… and always survived.
I never stayed long enough, not to call those beads – or anywhere – home. The sea of them beads flows mercilessly and forces change. And I’m sick of change, of light bags, rental houses, evil omens and lie-convincing alcohol. Now all I wanna do is stand right in front of you, look you in the eye and spit out an avalanche of beads right at your face. To be specific, I want to bull-eye your eyes and create holes somewhere along your skin, where your hands won’t be able to reach or sew, and I will fill you with beads… make you a pig dead… in a cage… with no alcohol.
Friday, September 11, 2009
Something in the Way.
Cassidy: Fuckin' 80's man, best shit ever !
Randy 'The Ram' Robinson: Bet'chr ass man, Guns N' Roses! Rules.
Cassidy: Crue!
Randy 'The Ram' Robinson: Yeah!
Cassidy: Def Lep!
Randy 'The Ram' Robinson: Then that Cobain pussy had to come around & ruin it all.
Cassidy: Like theres something wrong with just wanting to have a good time?
Randy 'The Ram' Robinson: I'll tell you somethin', I hate the fuckin' 90's.
Cassidy: Fuckin' 90's sucked.
Randy 'The Ram' Robinson: Fuckin' 90's sucked.
Darren Aronofsky's The Wrestler
Sunday, September 6, 2009
Nosferatu.
From time to time, F. Scott Fitzgerald gives me a call on my old 1918 Nokia. I am always standing by that same corner when he calls. I tell him not to worry too much… “Fitzzie, ye need not worry too much,” I always say. He never listens to me, always has to check on me. He’s a nice guy… His sister Ella too. They live uptown now; don’t get to see much of them anymore. Ella sings too. Ella is the flapper all other flappers follow. It’s a lonely lonely corner ever since the Fitzgeralds left. The whole district can agree except that they have them Tom Waits strippers now.
It was a black and white humid Monday when he passed by my corner. It took a minute or two till he spotted my eyes under the piles of black liner I have on. It took less not to spit any chewed tobacco, but a little bit longer to get me on my knees. “All `em Tom Waits strippers you failed te be,” he said as he smeared the lipstick off of my lips, “don’t know what ye will become.”
But Parov Stelar knew… damned well.
